jennifer laracy
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    • He Momo, nā te whānau—it’s a family trait— The 2nd Aotearoa Jewellery Triennial
    • PARURE, SEASON, 2025
    • Indicating Right Turning Left 2025
    • A fast game is a good game, 2024
    • Aotearoa Art Fair SEASON 2024
    • Offering it up 2022,2025
    • KAIKAINGA NGĀ TARINGA, 2023
    • Pāua: A Contemporary Jewellery Story, 2022
    • WHANUI 2022
    • Souvenir II, Fingers,2022
    • Souvenir of a Souvenir 2020
    • Redecorating Taranaki 2021
    • TE AO HURI HURI, London, 2018
    • DRESSER 2018
    • ECHO ECHO 2018
    • ANIMAL FARM 2018
    • WE MAKE SACRIFICES HERE 2017
    • POLARITY
    • THE MAN AND THE MOUNTAIN 2018
    • Motherlode 2016
    • Horizontal heritage 2015
    • Flotsam and jetsam 2014
    • Fountainhead 2014
    • The last of the milk and honey 2013
    • Boat Anchor 2015
    • The Distant Shore 2015
  • C V / exhibition list
  • BLOG
    • BLOG Handshake 4
    • BLOG, KOTUKU TOUR, 2018
  • ARCHIVE
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    • BADGE MAKING
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    • of the colony
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    • birds

Bodies Of Work 
Quoil Wellington 2005 and Objectspace Auckland 2006 

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As a dare-gale skylark scanted in a dull cage Man's mounting spirit
in his bone house-mean house, dwells-

From the Caged Skylark by Gerard Manly Hopkins
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