jennifer laracy
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    • He Momo, nā te whānau—it’s a family trait— The 2nd Aotearoa Jewellery Triennial
    • PARURE, SEASON, 2025
    • Indicating Right Turning Left 2025
    • A fast game is a good game, 2024
    • Aotearoa Art Fair SEASON 2024
    • Offering it up 2022,2025
    • KAIKAINGA NGĀ TARINGA, 2023
    • Pāua: A Contemporary Jewellery Story, 2022
    • WHANUI 2022
    • Souvenir II, Fingers,2022
    • Souvenir of a Souvenir 2020
    • Redecorating Taranaki 2021
    • TE AO HURI HURI, London, 2018
    • DRESSER 2018
    • ECHO ECHO 2018
    • ANIMAL FARM 2018
    • WE MAKE SACRIFICES HERE 2017
    • POLARITY
    • THE MAN AND THE MOUNTAIN 2018
    • Motherlode 2016
    • Horizontal heritage 2015
    • Flotsam and jetsam 2014
    • Fountainhead 2014
    • The last of the milk and honey 2013
    • Boat Anchor 2015
    • The Distant Shore 2015
  • C V / exhibition list
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    • BLOG Handshake 4
    • BLOG, KOTUKU TOUR, 2018
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Handshake4 Process 9 – 29 march 2018
at Toi Pōneke Gallery curated by Gabby Oconnor

the creative process for me is not linear, there is always quite a bit of to and fro a jostle of materials and ideas to reach resolve. Some of the best jewellery stays on my workbench for months unfinished, a bit feral… scrappy, full of potential and frustratingly hard to tame 
focus is on materiality and a provincial vernacular.. themes around the land and resource and the feminine mingle within this work.


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