jennifer laracy
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    • He Momo, nā te whānau—it’s a family trait— The 2nd Aotearoa Jewellery Triennial
    • PARURE, SEASON, 2025
    • Indicating Right Turning Left 2025
    • A fast game is a good game, 2024
    • Aotearoa Art Fair SEASON 2024
    • Offering it up 2022,2025
    • KAIKAINGA NGĀ TARINGA, 2023
    • Pāua: A Contemporary Jewellery Story, 2022
    • WHANUI 2022
    • Souvenir II, Fingers,2022
    • Souvenir of a Souvenir 2020
    • Redecorating Taranaki 2021
    • TE AO HURI HURI, London, 2018
    • DRESSER 2018
    • ECHO ECHO 2018
    • ANIMAL FARM 2018
    • WE MAKE SACRIFICES HERE 2017
    • POLARITY
    • THE MAN AND THE MOUNTAIN 2018
    • Motherlode 2016
    • Horizontal heritage 2015
    • Flotsam and jetsam 2014
    • Fountainhead 2014
    • The last of the milk and honey 2013
    • Boat Anchor 2015
    • The Distant Shore 2015
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    • BLOG Handshake 4
    • BLOG, KOTUKU TOUR, 2018
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Animal farm set
2018
  Jan 11-  Feb 25, CHAIN REACTION Handshake project
  Atta Gallery, Bangkok
human attitude of treating animals as products and the trend globally towards high intensity farming practice push us further away from our hunter gatherer origins and poses many ethical and environmental questions. I am working through these Ideas with contemporary jewellery pieces, the connections can be made on a personal level and the wearer can contemplate the role they themselves may play in this supply and demand chain.
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