jennifer laracy
  • home
  • ABOUT
    • CONTACT
  • PROPOSAL
  • portfolio
    • He Momo, nā te whānau—it’s a family trait— The 2nd Aotearoa Jewellery Triennial
    • PARURE, SEASON, 2025
    • Indicating Right Turning Left 2025
    • A fast game is a good game, 2024
    • Aotearoa Art Fair SEASON 2024
    • Offering it up 2022,2025
    • KAIKAINGA NGĀ TARINGA, 2023
    • Pāua: A Contemporary Jewellery Story, 2022
    • WHANUI 2022
    • Souvenir II, Fingers,2022
    • Souvenir of a Souvenir 2020
    • Redecorating Taranaki 2021
    • TE AO HURI HURI, London, 2018
    • DRESSER 2018
    • ECHO ECHO 2018
    • ANIMAL FARM 2018
    • WE MAKE SACRIFICES HERE 2017
    • POLARITY
    • THE MAN AND THE MOUNTAIN 2018
    • Motherlode 2016
    • Horizontal heritage 2015
    • Flotsam and jetsam 2014
    • Fountainhead 2014
    • The last of the milk and honey 2013
    • Boat Anchor 2015
    • The Distant Shore 2015
  • C V / exhibition list
  • BLOG
    • BLOG Handshake 4
    • BLOG, KOTUKU TOUR, 2018
  • ARCHIVE
    • rings
    • earrings
    • BADGE MAKING
    • bodies of work
    • of the colony
    • graduate work
    • plasticwork
    • pins
    • penknives
    • birds

the Louvre and Islamic glass

11/5/2018

0 Comments

 
PictureIranian prayer beads and tiny glass bottle, dated around the 15th century.
​The newest wing of the Louvre holds 3000 examples of fine Islamic art and artifacts dating from the 7th to 19th century. The architecture of the specially design wing deserves a mention as the ceiling of glass is engineered emulate flowing silk veil. The gallery is spacious and airy and the works are displayed on tall glass plinths so the viewer can look closely at these beautiful objects from all angles.

Picture
Picture
Picture
Picture
0 Comments



Leave a Reply.

    Author

    Jennifer Laracy

    Archives

    November 2018
    October 2018