jennifer laracy
  • home
  • ABOUT
    • CONTACT
  • PROPOSAL
  • portfolio
    • He Momo, nā te whānau—it’s a family trait— The 2nd Aotearoa Jewellery Triennial
    • PARURE, SEASON, 2025
    • Indicating Right Turning Left 2025
    • A fast game is a good game, 2024
    • Aotearoa Art Fair SEASON 2024
    • Offering it up 2022,2025
    • KAIKAINGA NGĀ TARINGA, 2023
    • Pāua: A Contemporary Jewellery Story, 2022
    • WHANUI 2022
    • Souvenir II, Fingers,2022
    • Souvenir of a Souvenir 2020
    • Redecorating Taranaki 2021
    • TE AO HURI HURI, London, 2018
    • DRESSER 2018
    • ECHO ECHO 2018
    • ANIMAL FARM 2018
    • WE MAKE SACRIFICES HERE 2017
    • POLARITY
    • THE MAN AND THE MOUNTAIN 2018
    • Motherlode 2016
    • Horizontal heritage 2015
    • Flotsam and jetsam 2014
    • Fountainhead 2014
    • The last of the milk and honey 2013
    • Boat Anchor 2015
    • The Distant Shore 2015
  • C V / exhibition list
  • BLOG
    • BLOG Handshake 4
    • BLOG, KOTUKU TOUR, 2018
  • ARCHIVE
    • rings
    • earrings
    • BADGE MAKING
    • bodies of work
    • of the colony
    • graduate work
    • plasticwork
    • pins
    • penknives
    • birds

Whitechapel gallery - Collection surreal science

10/26/2018

0 Comments

 
​Whitechapel gallery
The Whitechapel gallery is wonderful firstly for the wide selection incredible whitechapel documents of art available for purchase. and for the numerous and varied exhibits it presents I really enjoyed the  Elmgreen and Dragset Survey -this is how we bite our tongue In Which they make real and imagined memorial swimming pool in a surreal embodiment of shattered dreams. 
 
Picture
Elmgreen and Dragset : Too Heavy ,2017
Picture

  • Collection surreal science: Loudon collection with Salvatore Arancio
in this small but vivid exhibit Visual Artist Salvatore Arancio responded to George Loudons exceptional collection of scientific objects
the Artist Arancio was asked to choose objects from Loudons collection and design display and respond to his selection with his own works. The Artist sets a scene lit with kaleidoscope of colour and sound Arancios exalts Loudons singular and exceptional and collection by responding intuitively to the objects chosen like the amazing crystal towers made as specimen of the rich mining industry of Russia, taxidermy oddities a incredible glass jellyfish and magical rendered illustrations of extinct creatures,plaster molds of human heads. Life like models of fungi, invertebrates a myriad of objects which capture the wonder of science and the natural world.with his own ceramic si-fi/past/present objects akin to Upritchards work in its fantastical interpretations. The artist highlights human fascination with understanding the natural world.

I love this merging and blurring of lines between artifact and artist I think this is a perfect example of how history museums can re-present collections to new audiences.
Picture
sumptuous botanical paper mache models from the Loudon collection which Arancio had lit with a projection of flowers opening,These made as life sciences teaching aids for students in German schools between 1866 and 1972.
0 Comments



Leave a Reply.

    Author

    Jennifer Laracy

    Archives

    November 2018
    October 2018