jennifer laracy
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    • He Momo, nā te whānau—it’s a family trait— The 2nd Aotearoa Jewellery Triennial
    • PARURE, SEASON, 2025
    • Indicating Right Turning Left 2025
    • A fast game is a good game, 2024
    • Aotearoa Art Fair SEASON 2024
    • Offering it up 2022,2025
    • KAIKAINGA NGĀ TARINGA, 2023
    • Pāua: A Contemporary Jewellery Story, 2022
    • WHANUI 2022
    • Souvenir II, Fingers,2022
    • Souvenir of a Souvenir 2020
    • Redecorating Taranaki 2021
    • TE AO HURI HURI, London, 2018
    • DRESSER 2018
    • ECHO ECHO 2018
    • ANIMAL FARM 2018
    • WE MAKE SACRIFICES HERE 2017
    • POLARITY
    • THE MAN AND THE MOUNTAIN 2018
    • Motherlode 2016
    • Horizontal heritage 2015
    • Flotsam and jetsam 2014
    • Fountainhead 2014
    • The last of the milk and honey 2013
    • Boat Anchor 2015
    • The Distant Shore 2015
  • C V / exhibition list
  • BLOG
    • BLOG Handshake 4
    • BLOG, KOTUKU TOUR, 2018
  • ARCHIVE
    • rings
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    • BADGE MAKING
    • bodies of work
    • of the colony
    • graduate work
    • plasticwork
    • pins
    • penknives
    • birds
Indicating Right Turning Left
Group show Project 100,  Nelson Jewellery Week 2025
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Jennifer Laracy, Tuna, wall pendants, various dimensions, Hand carved Polythene and glass, 2025
​The stream, with all its twists and turns, always leads to the sea.
 
This large swarm of tuna are made from a polyethylene water trough from farmland in which traveled down the Kapoaiaia Stream, eventually ending up at the river mouth at Pungarehu.  
 While creating this collection of tuna necklaces, I reflected on life cycles, loved ones, and the concept of acceptance and letting go. We can choose our direction, change our minds, or go with the flow, but ultimately, we are all moving toward an unalterable fate.
The discarded industrial plastics I find on the beaches of South Taranaki are made to resist death and decay and sit outside of the natural cycles of life.
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