jennifer laracy
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  • ABOUT
    • CONTACT
  • PROPOSAL
  • portfolio
    • He Momo, nā te whānau—it’s a family trait— The 2nd Aotearoa Jewellery Triennial
    • PARURE, SEASON, 2025
    • Indicating Right Turning Left 2025
    • A fast game is a good game, 2024
    • Aotearoa Art Fair SEASON 2024
    • Offering it up 2022,2025
    • KAIKAINGA NGĀ TARINGA, 2023
    • Pāua: A Contemporary Jewellery Story, 2022
    • WHANUI 2022
    • Souvenir II, Fingers,2022
    • Souvenir of a Souvenir 2020
    • Redecorating Taranaki 2021
    • TE AO HURI HURI, London, 2018
    • DRESSER 2018
    • ECHO ECHO 2018
    • ANIMAL FARM 2018
    • WE MAKE SACRIFICES HERE 2017
    • POLARITY
    • THE MAN AND THE MOUNTAIN 2018
    • Motherlode 2016
    • Horizontal heritage 2015
    • Flotsam and jetsam 2014
    • Fountainhead 2014
    • The last of the milk and honey 2013
    • Boat Anchor 2015
    • The Distant Shore 2015
  • C V / exhibition list
  • BLOG
    • BLOG Handshake 4
    • BLOG, KOTUKU TOUR, 2018
  • ARCHIVE
    • rings
    • earrings
    • BADGE MAKING
    • bodies of work
    • of the colony
    • graduate work
    • plasticwork
    • pins
    • penknives
    • birds
Motherlode 2016


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spinning jenny,stg silver
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pick necklace,oxidised stg silver
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sketch, graphite on paper 2016
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Land matters pendant Oxidizes stg silver, paint and Australian sapphires
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rings, sterling silver
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ring Oxidized sterling silver and Australian opal. . ring Sterling silver and natural paua pearl
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Hardman pendant Oxidized sterling silver and new Zealand agate
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round opal and sterling silver ring
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Calf with deformity , graphite on paper 2016
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motherlode III bakelite and sterling silver
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Last drop hatpin on stand Oxidized sterling silver, Epoxy, shell powder, clay, gold leaf and wood ear
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spinning jenny ring, 9cy gold
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fertility pendant Taranaki iron sand, Australian opal steel, copper and linen cord
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motherlode II, brass calf tags